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Surface texturée crème

Lulio Garcia

Artistic journey

Garcia's artistic work is rooted in a memorial approach, where the absence, the invisible, and forgotten traces are shaped. His artworks are plastic bodies, fragments suspended between flesh and silence, between what is seen and what is silenced. Through an abstract and sensory language, He pays tribute to what remains unknown: invisible wounds, the microscopic details of marked skin, and erased narratives.
His installations and paintings explore the idea of an organic memory, where the pictorial merges with the body. Latex is a vivid and fragile material which becomes the support for a silent language, where each fissure and stain is an imprint that gives form to the absent.
He creates deserted landscapes, marked by the absence of those fleeing the war, reduced to letters never received, to shadows caught between borders. He raises the question of how individuals are erased within migratory flows, turning these
disappearances into pictorial elements. Personal testimonies, often gathered in contexts of violence or loss, nourish his creative research.
His artworks bring us to think about one question: how do we perceive what has vanished? These forms are silent presences cast into the light, reminding us of the ones we no longer see.
His work seeks to give a tangible form to the unspoken. It is built as a language of trace, between material and testimony, between mute forms and silenced narratives. By questioning our relationship with the forgetting and the invisible, he proposes a poetic and political reflection on what endures beyond loss.


2025 : Group exhibition, "L'expositon festive," Elysion Paris. Paris.
2025 : Group exhibition, "Correspondances : Perceptible et invisible," with Vladmir Markovic, Galerie du Montparnasse, Paris.
2024 : Solo exhibition, "Inutile de se laver les mains," Maison du Portugal André De Gouveia, Paris.
2023 : Group exhibition, "Limites," with Montse Aránega et Alessandra B-B, Galerie 59 Rivoli, Paris.
2022 : Solo exhibition, "Être ce qu'on ne doit pas être," Maison du Portugal André De Gouveia, Fondation Suisse pavillon Le Corbusier, Ecuador embassy, Paris.
2021 : Performance, "Robes Tableaux" by Jean-Charles de Castelbajac, with Lou Ros, Damien Poulain, Jan Melka, Charles De Vilmorin. Centre Pompidou. Paris.
2015 : Group exhibition, "Parábolas Epimetéicas," Nahín Isaía museum, Ecuador.


Artworks photos credits © Eva Chamosa

Artworks

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Fragmented Memories (2023)

Fragmented Memories (2023)

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02

Post-mortem (2022)

Post-mortem (2022)

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03

Traces of Absence I and II (2025)

Traces of Absence I and II (2025)

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Cenotaphs (2021-2023)

Cenotaphs (2021-2023)

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Detalles de un jabón azul (2024)

Detalles de un jabón azul (2024)

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Silent Silhouettes of Nameless Letters (2024)

Silent Silhouettes of Nameless Letters (2024)

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07

Water, Water, Water (2024)

Water, Water, Water (2024)

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Lines that Trace the Memory of a Wound (2024)

Lines that Trace the Memory of a Wound (2024)

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